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My Artistic Interpretation

My Paintings represent my personal response to my surroundings.  My ideas are fragments of what fascinates and intrigues me, and are roots from which my works begin to emerge.  They are derived mainly from objects in nature.   Often something insignificant and unexpected  flashes and whistles at me, transforming my idea into shapes, colours, lines etc.  In fact, these ideas are just an excuse for me to paint florals, landscapes, figures, abstracts etc.  As a result, although my works undoubtedly have origins in my daily living, they may be a good deal removed from reality; some of them may be quite representational while others more abstracted.  When painting, I derive a great deal of pleasure from the process of painting, struggling with possibilities and permutations, rather than arriving at the end product.

The perception of forms is a fundamental aspect of how I interpret and represent the world around me. The interpretation of colours is deeply personal, with each hue evoking a spectrum of emotional, psychological, and associative responses. My lines possess the capacity to delineate, define, and imbue a sense of movement and direction within a composition.

Beyond the perceptual aspects of forms, colors, and lines, the act of creating art is inherently intertwined with intuition, spontaneity, and the artistic process itself. As an artist, I often find that my most compelling works emerge from a place of intuitive exploration, where my eyes and hands guide me through a journey of discovery and expression.